French printmaker Charles Meryon (1821-1868) documented Paris during “Haussmannization”—a period of massive urban redevelopment conceived by Seine prefect Baron Georges-Eugène Haussman. His most famous portfolio, the Eaux-fortes sur Paris (Etchings of Paris), captured a unique vibrancy in the medieval city, resonating with impending demolition (or in the case of Notre-Dame, restoration).

For deeper insight into Meryon’s etchings, currently on display on Level 1, join exhibition curator Cecily Field for an exploration of Meryon’s artistic background, context and enduring influence. Additional Meryon etchings will be on display, as well as related works by artists like Salvator Rosa, James McNeill Whistler and Edouard Baldus.

Cecily Field is the acting Research and Collections Coordinator of the Marvin Gelber Print and Drawing Study Centre and worked previously as Gelber intern in the Study Centre, as well as AGO Educator. She holds an A.B. in Art History from Harvard University and a D.Phil. from Oxford University, focused on imagery of “Old Paris” during Haussmannization.