The Modern Collection

ABOUT THE COLLECTION

The AGO’s modern collection spans international art from 1900 to 2000, with foundational gifts from Sam and Ayala Zacks, the AGO’s pioneering Women’s Committee, and the British sculptor Henry Moore. Home to the world’s largest public collection of Moore’s work, most donated by the artist himself, the AGO opened The Henry Moore Sculpture Centre in 1974.

Early 20th-century highlights include paintings and sculptures by major figures in European avant-garde movements before and during the First World War, including Constantin Brancusi, Marc Chagall, Jacob Epstein, Natalia Goncharova, Henri Matisse, Amadeo Modigliani, Claude Monet, Pablo Picasso, and Gino Severini. Interwar works are another strength, with standout Surrealist pieces by Joan Miró, Pablo Picasso, and Yves Tanguy, as well as works by Pierre Bonnard, Otto Dix, Alberto Giacometti, Barbara Hepworth, Fernand Léger, and Ben Nicholson. The collection also includes over 150 works from artists associated with Cologne Dada.

Post-World War II American painting and sculpture form a major focus, with strong holdings in Abstract Expressionism with artworks by Arshile Gorky, Hans Hofmann, Franz Kline, Robert Motherwell, Mark Rothko, and David Smith. Post-painterly abstraction is represented with paintings by Sam Francis, Helen Frankenthaler, Ellsworth Kelly, Morris Louis, Kenneth Noland, and Frank Stella. The collection also features European neo-avant-gardes such as Karl Appel, Jean Dubuffet, Luis Feito, and Marie-Helene Vieira da Silva.

From the 1960s on, most major movements are represented, including Pop Art, Minimalism, Post-minimalism, and Arte Povera, with works by Andy Warhol, Claes Oldenburg, Jim Dine, Robert Indiana, George Segal, Donald Judd, Sol LeWitt, Dan Flavin, Robert Morris, John McCracken, Michelangelo Pistoletto, Luciano Fabro, Mario Merz, Jannis Kounellis, Giulio Paolini, Joseph Beuys, Richard Serra, Robert Smithson, and Richard Long. Conceptual art is present with works by Daniel Buren, Hans Haacke, On Kawara, Lawrence Weiner, and Ian Wilson.

The collection’s 1980s holdings are anchored by European Neo-expressionism, with iconic works by artists Gerhard Richter, Sigmar Polke, Georg Baselitz, and Jörg Immendorff. Other important artists from the decade include Gilbert and George, Jack Goldstein, Mary Kelly, Cady Noland, and Nancy Spero.

While historically rooted in European and American art, the modern collection has expanded in recent years to include underrepresented artists, including women and global Indigenous artists, as well as works from Asia and global Africa and the diaspora, reflecting a growing commitment to a broader, more inclusive view of modern art. 

COLLECTION HIGHLIGHTS

COLLECTION RESOURCES

Marvin Gelber Print & Drawing Study Centre

This state-of-the-art facility is open to the public and dedicated to the study of prints, drawings and photographs. It houses a collection of over 70,000 works which date from the 13th century to the present day. Find out more about the AGO's prints and drawings collection.

Image Licensing

Find the image you need from the Art Gallery of Ontario, one of the most distinguished art museums in North America. AGO Images licenses to scholarly and commercial clients worldwide. Be inspired by Tom Thomson, James Tissot, Kennth Noland, Walter Trier and many more amazing artists.

Requests for Loans

The Art Gallery of Ontario is committed to broadening access to its collections and supporting educational initiatives that promote a new understanding of art, through a program of outgoing loans. 

Conservation at the AGO

Conservation is the care and protection of cultural objects. As the caretakers of collections, conservators examine, research, clean and repair artworks, while also taking action to prevent future deterioration. Here at the AGO, the Conservation Team includes conservators, mat makers, framers and mount makers. These specialists work together to ensure each work will look its best not only for today, but also for generations to come.

Provenance Research Project

The AGO is committed to investigating the provenance of works in its permanent collection, particularly as it pertains the ownership history of European painting and sculpture during the 1933–45 period. The purpose of this is to increase awareness and understanding of the spoliation of works of art by the Nazis and others.

The AGO's Deaccessioning Policy

The Art Gallery of Ontario cares for its collections according to the highest standards. Its resources should only be devoted to works of art that serve its mission and are worthy of such care. This occasionally demands that works be judiciously and carefully deaccessioned from the collections. The proceeds from this are reinvested in new works of art.

Artefacts Canada

Thanks to the important contribution of this country's heritage institutions, the Artefacts Canada database contains close to 4 million object records and approximately 800,000 images from Canadian museums.

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