ABOUT THE ARTIST
Haegue Yang lives and works in Berlin, Germany and Seoul, South Korea. She is a Professor at the Staedelschule in Frankfurt am Main. For the opening of the expanded building of The Museum of Modern Art, New York on October 21, 2019, MoMA commissioned Yang to create an installation for the Marron Atrium. Handles has been highly praised for its performative power to render and weave seemingly irrelevant historical narratives into a singular immersive, mesmerizing and performative field.
Yang has participated in major international exhibitions including the 16th Istanbul Biennial (2019), the 21st Biennale of Sydney (2018), La Biennale de Montréal (2016), the 12th Sharjah Biennial (2015), the 9th Taipei Biennial (2014), dOCUMENTA (13) in Kassel (2012) and the 53rd Venice Biennale (2009) as the South Korean representative as well as in the International Art Exhibition at the Arsenale.
Yang’s work is included in permanent collections such as the Centre Pompidou, Paris, France; Museum of Modern Art, New York, USA; M+, Hong Kong, China; National Museum of Modern and Contemporary Art, South Korea; The Solomon R. Guggenheim Museum, New York, USA; Tate Modern, London, UK; Remai Modern, Saskatoon, Canada; and Walker Art Center, Minneapolis, USA.
Her work has been the subject of numerous monographs, including Haegue Yang: Anthology 2006–2018. Tightrope Walking and Its Wordless Shadow (2019); Haegue Yang: ETA 1994–2018 (2018); Haegue Yang: VIP’s Union (2017); and Haegue Yang: Family of Equivocations (2013).