EXHIBITION OVERVIEW
For more than five decades, distinguished Toronto artist Louise Noguchi has been working in sculpture, installation, photography, and video. Unifying her work is a conviction that identity is not given—but constructed—shaped by events, beliefs, and circumstance. Spotlighting Noguchi’s work in video and sculpture, the AGO’s Associate Curator of Canadian Art Renée van der Avoird brings together three works from the AGO collection.
Reverberating with sound, Noguchi’s looping video work Crack (2000) sees the artist performing as an assistant in a wild-west act, holding out flowers only to have them suddenly cut down mid-air by the lash of whip.
Noguchi’s large sculptural installation Fruits of Belief: The Grand Landscape (1986) brings together a head, a cornucopia, and a photographic reproduction of Thomas Gainsborough’s 1770s painting, A Grand Landscape, to examine our shared relationship to nature—as something real, constructed, and imaginary.
By contrast, the third work in this exhibition, Noguchi’s 1990–91 mirror sculpture Eden, addresses themes of surveillance and freedom, asking: are we approaching paradise, or withdrawing from it?