EXHIBITION OVERVIEW

Fragments of Epic Memory will invite visitors to experience the multiple ways of encountering the Caribbean and its diaspora, from the period following emancipation through today. 

The first exhibition organized by the AGO’s new Department of Arts of Global Africa and the Diaspora, it will blend historical and contemporary narratives, presenting more than 200 photographs from the AGO's Montgomery Collection of Caribbean Photographs alongside paintings, sculpture, and video works by modern and contemporary Caribbean artists that show how the region’s histories are constantly revisited and reimagined through artistic production over time.

Fragments of Epic Memory is curated by Julie Crooks, Curator of Arts of Global Africa and the Diaspora and will feature a new commission by Sandra Brewster and art works by Ebony G. Patterson, Frank Bowling, and Manuel Mathieu to name just a few. 

List of Artists in Fragments of Epic Memory

  • Hurvin Anderson
  • Sybil Atteck
  • Belkis Ayón
  • Firelei Báez
  • Sir Frank Bowling
  • Sandra Brewster
  • Vanley Burke
  • Charles Campbell
  • Robert Charlotte
  • Andrea Chung
  • June Clark
  • Christopher Cozier
  • Jeannette Ehlers
  • Roy Francis
  • Gomo George
  • Abigail Hadeed
  • Nadia Huggins
  • Diane Liverpool
  • Leasho Johnson
  • Roshini Kempadoo
  • Wilfredo Lam
  • Kelly Sinnapah Mary
  • Suchitra Mattai
  • Manuel Matthieu
  • Dennis Morris
  • Wendy Nanan
  • Zak Ové
  • Ebony G. Patterson
  • Peter Dean Rickards / The Afflicted Yard
  • Paul Anthony Smith
  • Frank Walter
  • Rodell Warner
  • Dorothy Henriques Wells
  • Alberta Whittle
  • Aubrey Williams
  • Natalie Wood

Exploring Fragments of Epic Memory: A Video by Roya DelSol


ARTWORKS FROM THE EXHIBITION

Women’s Carnival Group, Water colour on Rag Paper by Gomo George

Gomo George, Women’s Carnival Group, 1996. Water colour on Rag Paper, 55.9 × 76.2 cm. Courtesy of the artist. © Gomo George.

Fragments of Epic Memory artwork

LANTERN SLIDES FROM THE MONTGOMERY COLLECTION OF CARIBBEAN PHOTOGRAPHS

This online slideshow presents a small selection of glass lantern slides from the Montgomery Collection which depict various scenes of early twentieth-century Caribbean life. Please note that these objects are not on view in the on-site exhibition, Fragments of Epic Memory. Unless otherwise noted, all objects belong to the Montgomery Collection of Caribbean Photographs. Purchase, with funds from Dr. Liza & Dr. Frederick Murrell, Bruce Croxon & Debra Thier, Wes Hall & Kingsdale Advisors, Cindy & Shon Barnett, Donette Chin Loy Chang, Kamala Jean Gopie, Phil Lind & Ellen Roland, Martin Doc McKinney, Francilla Charles, Ray & Georgina Williams, Thaine & Bianca Carter, Charmaine Crooks, Nathaniel Crooks, Andrew Garrett & Dr. Belinda Longe, Neil L. Le Grand, Michael Lewis, Dr. Kenneth Montague & Sarah Aranha, Lenny & Julia Mortimore, and The Ferrotype Collective, 2019.

This gallery presents a small selection of glass lantern slides from the Montgomery Collection. Please note that these objects are not on view in the on-site exhibition, Fragments of Epic Memory. Unless otherwise noted, all objects belong to the Montgomery Collection of Caribbean Photographs. Purchase, with funds from Dr. Liza & Dr. Frederick Murrell, Bruce Croxon & Debra Thier, Wes Hall & Kingsdale Advisors, Cindy & Shon Barnett, Donette Chin Loy Chang, Kamala Jean Gopie, Phil Lind & Ellen Roland, Martin Doc McKinney, Francilla Charles, Ray & Georgina Williams, Thaine & Bianca Carter, Charmaine Crooks, Nathaniel Crooks, Andrew Garrett & Dr. Belinda Longe, Neil L. Le Grand, Michael Lewis, Dr. Kenneth Montague & Sarah Aranha, Lenny & Julia Mortimore, and The Ferrotype Collective, 2019.

Jamaican Boys, around 1900. Lantern slide: hand-painted gelatin silver on glass.

Published by Brown & Dawson, Stamford, Connecticut, Jamaican Boys, around 1900. Lantern slide: hand-painted gelatin silver on glass. 2019/1236

Lantern Slides artwork

RESOURCES

Large Print Materials

This large-print label resource is a key part of the AGO's ongoing commitment to inclusion and accessibility and will continue to grow and evolve to better supplement engagement to both the web and in-gallery experiences.

Download Exhibition Large Print 338 KB



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