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Solo exhibition by Brian Jungen reveals new works and new insights

Opening June 20, 2019 at the AGO, exhibition offers a new look at artist’s creative process, through new sculptures, film and archival materials

TORONTO — Opening at the Art Gallery of Ontario (AGO) on June 20, 2019, Brian Jungen brings to Toronto for the first time many of the artist’s most iconic works. Internationally renowned for his sculptures and installations made from repurposed consumer goods, this solo exhibition presents over 80 of his most striking works, including new headdresses, masks and an epic film installation, alongside the artist’s personal archive—materials that have served as sources of inspiration for his work. An invitation into the artist’s creative process, the exhibition is organized by the AGO, and curated by Kitty Scott, the AGO’s Carol and Morton Rapp Curator of Modern and Contemporary Art. The exhibition runs to August 25, 2019.

An artist of mixed European and Indigenous heritage, who emerged in the Vancouver art scene 20 years ago, Jungen (b.1970) has created an extensive body of work that engages equally with Indigenous materials and traditions as with pop culture and Western art history.  

The exhibition includes, for the first time, the majority of Jungen’s freestanding sculptures and masks, including several recent ones never before seen in Canada. Many are from the artist’s acclaimed series Prototypes for a new Understanding (1998-2005), in which Jungen transformed Nike Air Jordan sneakers into sculptures, some of which resemble Northwest Coast masks and Plains Indian headdresses. “My work is largely about transforming things, but these sneakers also speak about where I come from. Nike Air Jordan’s are popular among Indigenous youth,” Jungen says. 

A highlight of the exhibition is Jungen’s stunning 40-foot long sculpture of a whale skeleton entitled Cetology (2002), on loan from the Vancouver Art Gallery. Constructed out of ubiquitous plastic patio chairs, it will be suspended from the gallery ceiling. The exhibition also marks the debut of a new director’s cut of Modest Livelihood, a film co-starring and co-directed by Jungen and the artist Duane Linklater. Shown simultaneously on five screens, this film installation will show over seven hours of footage, detailing a series of hunting trips made by the artists.

“With this exhibition, I am thinking about where I came from, and where I might be going," Jungen says. "I am excited to be able to take a look at my body of work – both existing and new - and present it at the AGO in a reimagined way.”

This exhibition marks the first time that the AGO will host a solo-presentation by an Indigenous Canadian artist in the Sam & Ayala Zacks Pavilion.

Jungen’s profound commitment to Indigenous ways of making and knowing inform the exhibition design and provides visitors a new way to understand his work. He is thinking about important communal spaces, urban and rural, both on and off the reserve,” says Kitty Scott, the AGO’s Carol and Morton Rapp Curator of Modern and Contemporary Art. “By presenting the artist’s archive and the over 400 Nike shoe boxes it is stored in, the exhibition also offers visitors an unprecedented look inside Brian’s head. We’re very excited to share these works and Brian’s creative process with our visitors.”

A recipient of the prestigious Gershon Iskowitz Prize at the AGO, this is the first large-scale display of work by Jungen in Toronto since his 2011 AGO exhibition Tomorrow, Repeated. Jungen has had solo exhibitions in New York, London and beyond, and he is the first living artist to be shown at the National Museum of the American Indian (NMAI), part of the Smithsonian Institution, in Washington, D.C in 2009. A full colour catalogue will accompany the exhibition.

Brian Jungen is organized by the Art Gallery of Ontario.

ABOUT BRIAN JUNGEN
Brian Jungen lives and works in the North Okanagan, British Columbia, Canada. Solo exhibitions include Catriona Jeffries, Vancouver (2016); Kunstverein Hannover (2013); Bonner Kunstverein (2013); Art Gallery of Ontario, Toronto (2011); Strange Comfort, National Museum of the American Indian, Washington, DC (2009); Museum Villa Stuck, Munich (2007); Tate Modern, London (2006); Vancouver Art Gallery (2006); Witte de With, Rotterdam (2006); and the New Museum, New York (2005). Modest Livelihood, a collaborative work with Duane Linklater, has been shown at the Edinburgh Art Festival (2014); Art Gallery of Ontario (2013); and the Walter Phillips Gallery, Banff Centre, in collaboration with dOCUMENTA (13) (2012). Recent group exhibitions include Art for a New Understanding: Native Voices, 1950s to Now, Crystal Bridges Museum of Contemporary Art, Bentonville (2018); Beautiful world, where are you?, Liverpool Biennale, Liverpool (2018); Unsettled, Anchorage Museum (2018) and Nevada Museum of Art, Reno (2017); On Space and Place: Contemporary Art from Chicago, Los Angeles, Mexico City, and Vancouver, De Paul Art Museum, Chicago (2016); Residue: Persistence of the Real, Vancouver Art Gallery (2015); Sakahàn, National Gallery of Canada, Ottawa (2013); and Shanghai Biennial (2012).

ABOUT THE AGO
Located in Toronto, Canada’s largest city of 5.9 million, the Art Gallery of Ontario (AGO) is one of the largest art museums in North America. The AGO’s collection of close to 95,000 works ranges from cutting-edge contemporary art such as Untilled by Pierre Huyghe to European masterpieces such as Peter Paul Rubens’s The Massacre of The Innocents; from the vast collection by the Group of Seven to works by established and emerging Indigenous and Canadian artists; with a photography collection that tracks the impact of the medium with deep holdings of works by artists such as Garry Winogrand and Diane Arbus; and with focused collections in Gothic boxwood miniatures and Western and Central African art. Drawing on this collection—as well as collaborations with museums around the world—the AGO presents wide-ranging exhibitions and programs, taking special care to showcase diverse and underrepresented artists. A major expansion designed by Frank Gehry in 2008 with lead support from the family of Ken Thomson makes the AGO a highly-photographed architectural landmark. Visit ago.ca and follow @AGOToronto to learn more.

Sept. 2018 – Jan. 2019:                 Anthropocene

Nov. 29, 2018 – March 24, 2019:   Mickalene Thomas: Femmes Noires

Feb. 16, 2019 – May 5, 2019:        Impressionism in the Age of Industry: Monet, Pissarro and More

The Art Gallery of Ontario is funded in part by the Ontario Ministry of Tourism, Culture and Sport. Additional operating support is received from the City of Toronto, the Canada Council for the Arts and generous contributions from AGO members, donors and private-sector partners.

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For hi-res images and other press inquiries, please contact:

Andrea-Jo Wilson; Manager, Public Relations  
416-979-6660, ext. 403,
andrea-jo.wilson@ago.ca

Naomi Carniol; Associate Director, Communications
416-979-6660, ext. 364, naomi.carniol@ago.ca

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