Julian Cox joined the AGO as Deputy Director & Chief Curator in 2018. He leads the curatorial team in designing meaningful art experiences that embrace multiple—and often challenging—points of view. He focuses on exhibition planning in addition to developing the AGO’s significant collections, positioning Toronto and Ontario’s rich artistic landscape in the widest context possible to ensure the Gallery is inclusive and welcoming, and reflects the diversity of the communities we serve.
Before joining the AGO, Julian was Chief Curator of the Fine Arts Museums of San Francisco (FAMSF), working across two museums, the de Young and the Legion of Honor. In this role, he led curatorial activities in art of the Americas, Oceania and Africa, Ancient art, European Paintings and European Decorative Arts and Sculpture, Prints and Drawings, American art, contemporary art and international textiles and costume. He also managed FAMSF’s conservation, library and publications staff.
Prior to that, he served as Curator of Photography at the High Museum of Art in Atlanta, Georgia and held several positions in the Department of Photography at the J. Paul Getty Museum in Los Angeles.
Julian holds a Master of Philosophy degree in the history of photography from the University College of Wales, and a Bachelor of Arts degree in art history from the University of Manchester.
Selected AGO exhibitions:
Impressionism in the Age of Industry: Monet, Pissarro and more (2018)
Background: Prior to joining the AGO in 2017, Caroline Shields held various curatorial roles at the National Gallery of Art, Washington; the Musée d’Orsay, Paris; and the Museum of Fine Arts, Boston. She holds a Doctorate in art history from the University of Maryland with a dissertation on Paul Gauguin (1848-1903) and the history of memory. Shields’s area of specialty is nineteenth-century French art.
Background: Prior to becoming Assistant Curator of European Art in 2020, Adam Harris Levine held various curatorial roles at the AGO and conducted extensive work with the Thomson Collection of European Art. He is currently finalizing his doctoral dissertation at Columbia University, where he has also taught extensively. Levine’s area of specialty is medieval and renaissance sculpture and decorative arts.
Selected AGO exhibitions:
Mickalene Thomas: Femmes Noires (2018)
Free. Black. North (2017)
Women in Focus Collection Rotations (2017-ongoing)
Background: Prior to joining the AGO in 2017, Julie Crooks curated exhibitions for many organizations including BAND (Black Artists Networks in Dialogue) and the Royal Ontario Museum’s Of Africa project. She holds a PhD from the Department of History of Art and Archaeology at the School of Oriental and African Studies (SOAS), University of London, U.K. Crooks’s area of specialty is vernacular photography of West Africa and the diaspora.
Selected AGO exhibitions:
Karoo Ashevak (2019)
Rebecca Belmore Facing the Monumental (2018)
JS McLean Centre for Indigenous & Canadian Art (2018)
Rita Letendre: Fire & Light (2017)
Toronto: Tributes + Tributaries, 1971-1989 (2016)
Background: Prior to joining the AGO in 2016, Wanda Nanibush held various curatorial and academic roles across Canada since 2001. In addition to independent curation, Nanibush held the post of Aboriginal Arts Officer at the Ontario Arts Council, Executive Director of ANDPVA and strategic planning for CCA. She holds a Master’s Degree in visual studies from the University of Toronto, where she has also taught graduate courses. Nanibush has published widely in magazines, books and journals. As co-lead of the AGO’s department of Indigenous and Canadian art, Nanibush’s area of specialty is Indigenous Art and collection diversification.
Selected AGO exhibitions:
Florine Stettheimer (2017)
Georgia O’Keeffe (2017)
Introducing Suzy Lake (2014)
The Passion of Kathleen Munn (2011)
Betty Goodwin: Work Notes (2010)
Background: Prior to joining the AGO in 2002, Georgiana Uhlyarik held curatorial various roles at the McMichael Canadian Art Collection, The Power Plant and the Gershon Iskowitz Foundation. She earned an Honours Bachelor’s Degree from the University of Toronto and a Master’s Degree in art history from York University. She is currently an adjunct faculty member at York University and University of Toronto, and research associate, Modern Literature & Culture, Ryerson University. As co-lead of the AGO’s department of Indigenous and Canadian art, Uhlyarik’s area of specialty is the work of 20th-century women artists.
Selected AGO exhibitions:
Margaret Priest: The Construction Series and Other Concrete Matters (2019)
Karl Beveridge & Carole Condé: Early Work (2019)
David Milne Centre (2019)
Betty Goodwin: Moving Towards Fire (2019)
Background: Prior to joining the AGO in 2018, Renée van der Avoird held positions as Associate Curator/Registrar at the MacLaren Art Centre, Barrie; Assistant Director of Susan Hobbs Gallery, Toronto; and Curatorial Mentor at the Art Museum at the University of Toronto. She holds an Honours Bachelor’s of Arts Degree in Fine Arts and French Language & Literature from Wilfrid Laurier University, Waterloo, and a Master’s Degree in Museum Studies from the University of Toronto. Van der Avoird’s area of specialty is modern and contemporary Canadian women artists.
Selected AGO exhibitions:
Picasso: Painting the Blue Period (2021)
Andy Warhol (2021)
Mitchell/Riopelle: Nothing in Moderation (2018)
Anthony Caro: Sculpture Laid Bare (2016-17)
Painting Tranquility: Masterworks by Vilhelm Hammershøi (2016)
Background: Prior to joining the AGO in 2014, Kenneth Brummel held curatorial positions in several major art museums in the United States, including the Cincinnati Art Museum, the Museum of Fine Arts, Boston, and The Nelson-Atkins Museum of Art, Kansas City. He holds a Master’s in Art History from The University of Chicago. Brummel’s area of specialty is late-nineteenth- and twentieth-century European and American art.
Selected AGO exhibitions:
Haegue Yang: Emergence (2020)
Hito Steyerl: This is the future (2019)
Valérie Blass: Le parlement des invisibles (2019)
Yayoi Kusama: Infinity Mirrors (2018)
As If Sand Were Stone: Contemporary Latin American Art from the AGO Collection (2017)
Background: Prior to joining the AGO in 2014, Adelina Vlas held curatorial positions at the Philadelphia Museum of Art and the National Gallery of Canada, where she concentrated on permanent collection displays and special exhibitions. She holds a Master’s Degree in curating contemporary art from the Royal College of Art, a Master’s Degree in art history from York University, and a Bachelor’s Degree in Art History from McGill University. Vlas’s area of specialty is post-war contemporary art with a focus on conceptual and time-based media practices.
Selected AGO exhibitions:
Diane Arbus: Photographs, 1956-1971 (2020)
Anthropocene (2018)
Outsiders: American Photography and Film, 1950s-1980s (2016)
Thomas Ruff: Object Relations (2016)
Introducing Suzy Lake (2014)
Background: Sophie Hackett has been a member of the AGO’s department of photography since 2006. During her tenure she has curated numerous exhibitions and collection reinstallations, written and contributed to countless publications, participated on international juries and maintained an active academic profile. She was a Graduate Intern at the J. Paul Getty Museum in its department of photographs, and completed a Master’s Degree in Visual Art at the University of Chicago. She is currently an adjunct faculty member in Ryerson University’s Master’s degree program in Film + Photography Preservation and Collections Management, and was a 2017 Fellow with the Center for Curatorial Leadership. Hackett’s area of specialty is 19th and 20th century vernacular photography.
Selected AGO exhibitions:
Everyday People WT (2020)
Mail Art, Break the Rules: The Shit Must Stop Portfolio (2019)
French Prints of the 1890s (2017)
Rise of the Rock Poster and the Summer of Love (2017)
Background: Prior to joining the AGO in 2016, Alexa Greist held curatorial positions at the Philadelphia Museum of Art and the Yale University Art Gallery. She holds a Ph.D from the University of Pennsylvania focused on Italian printed drawing books, and a Master’s degree, also from the University of Pennsylvania, with a M.A. thesis on the early drawings of Joseph Stella. Greist’s area of specialty is Italian Renaissance and Baroque prints and drawings.
Selected AGO exhibitions:
Käthe Kollwitz. According to the Truth (2018)
Drawing Je t'aime (2015)
Goya & Gillray. Humour that Bites (2012)
Painting on Paper. The Drawings of Robert Motherwell (2011)
Rembrandt / Freud. Etchings from Life (2010)
Background: Brenda Rix has been a member of the AGO’s curatorial team for close to 40 years, over which time she has curated numerous exhibitions and written several catalogues. She holds Bachelor’s and Master’s Degrees in art history from the University of Toronto. Rix’s area of specialty is European prints and drawings from the late 18th to the early 20th centuries.
Selected AGO exhibitions:
Everyday People WT (2020)
Guillermo del Toro: At Home with Monsters (2017)
Outsiders: American Photography and Film, 1950s-1980s (2016)
Background: Jim Shedden has held various roles in the AGO’s curatorial, programming and publishing departments since 1988, with a 12-year hiatus when he was Vice-President and Creative Producer at Bruce Mau Design. He holds a Master’s Degree in political science and a Bachelor’s Degree in philosophy and political science, both from the University of Toronto. Shedden’s areas of specialty include film, music, popular culture, and publishing.