ICYMI: If these walls could talk

In October 2019 we had the chance to catch up with Lisa Reihana to discuss her strikingly beautiful large-scale panoramic video. Located in the The J.S. McLean Centre for Indigenous & Canadian Art, Galleries 232 & 233, in Pursuit of Venus [infected] has been on view for close to 1 year, and your final chance to see it soon approaches! On October 4th the work will come down, making way for some exciting new acquisitions to the AGO Collection by by Michael Belmore and Osvaldo Yero. Check out the interview below, and go see in Pursuit of Venus [infected] today. 

Multi-disciplinary artist Lisa Reihana has brought her critically acclaimed panoramic work, in Pursuit of Venus [infected], to the AGO thanks to imagineNATIVE Film + Media Arts Festival. The piece has been shown around the world and has garnered widespread critical acclaim.

We sat down with Reihana to find out more about her inspiration and process in creating this captivating piece.   

 AGO: in Pursuit of Venus [infected] required a number of years to complete. How did you stay inspired over such a long period of time?

Reihana: This has been a wonderfully rewarding project to work on. I learned something new every time I worked on it, so it was easy to commit to. Also, there were so many other people who gave of themselves to make the project happen, through their time, knowledge and creativity, which was also a driving factor. 

AGO: Throughout the 70 vignettes in the work there is a diverse mix of activities that the characters are engaged in. How did you select what to include?

Reihana: The vignettes I chose foreground issues of gender, indigenous politics and events which I read about, but couldn't quite understand. As well, I wanted to look at traditional mourning practices, many of which have been altered since colonization. Working with actors and performers brings these accounts to life, and seeing them performed by living bodies brings new levels of understanding. 

AGO: How did your New Zealand and Māori ancestry inform your approach to creating in Pursuit of Venus [infected]?

Reihana: Being of Māori ancestry fundamentally informs the work. But I cannot overlook my mother’s ancestry – which is an odd British mix. She hails from England and Wales. Wales has its own tribal history, and was also colonized by England, where the right to practice and retain language has been fought for. Margaret Thatcher closed down the Welsh coal mines, causing an economic crisis. So the fight for traditions, language and land retention is in my blood.

AGO: What is in store for you in the future?

Reihana: I am working on a video for French fashion designer Christian Louboutin. He has an amazing exhibition opening in Paris next year. I am also producing a new video work for the Aotea Centre in my hometown of Auckland. This examines Māori creation stories, Papatuanuku the Earth Mother and her son Tane. It’s exciting imagining them, and their value for audiences today.

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