N.E. Thing Co., Bagged Rothko, 1965, inflated vinyl and cotton flock, 169.0 x 156.0 x 8.0 cm, Gift of Yves and Germaine Gaucher, Montreal, 1994, National Gallery of Canada, Ottawa, Photo © NGC 2012.
IAIN BAXTER&: Works 1958-2011
For 50 years, Canadian artist IAIN BAXTER& has been radically redefining the role of the artist, integrating photography, installation, sculpture, painting, drawing and performative aspects into his work. This exhibition at the Art Gallery of Ontario (AGO), IAIN BAXTER&: Works 1958–2011, invites visitors to become collaborators, by engaging with the artist and his work.
Co-curated by David Moos, former curator of Modern and Contemporary Art at the AGO and Michael Darling, James W. Alsdorf Chief Curator at the Museum of Contemporary Art, Chicago, IAIN BAXTER&: Works 1958–2011 brings the evolution of BAXTER&’s career to life for visitors. The exhibition travels directly to Toronto from Chicago, where it was recently on view at the MCA and was named a critic’s pick by Artforum International.
“BAXTER&’s thinking resonates today because his willingness to experiment remains undiminished,” Moos said. “It is here, between originality and the familiar, that one finds BAXTER&, raising our awareness that art is an experiment—an embrace one must experience.”
A believer in collaboration, the recurring symbol in BAXTER&’s work is the ampersand, and he often refers to himself as “the &man.” The artist, whose surname is pronounced “Baxter-and” has worked under various monikers throughout his career, most famously N.E. Thing Co., a corporate-style organization he served as co-president of with his then-wife Ingrid Baxter. In 2005 BAXTER& legally added an “&” to his name, reflecting his collaborative approach to art and his fundamental belief that art requires a strong connection with the viewer. “Life,” says BAXTER&, “seems to be about ands. After we leave this life and this planet, only an & remains.”
Recognizing that communication goes both ways, the exhibition offers visitors an opportunity to interact and engage with BAXTER& and his work. Eighteen custom-designed QR codes populate the exhibition, letting smartphone users watch, share and comment on videos, audio and behind-the-scenes content in the Wi-Fi enabled Gallery.
At the heart of the exhibition lies an ampersand-shaped interaction station where, through Twitter, visitors can share their answers to thought-provoking questions from the artist, including topics of environmentalism which figure heavily in his work.
Featuring some 100 photographic, sculptural and vacuum-formed works, including Inflated Blue Skyand Zero Emissions, the exhibition takes visitors on an often witty tour through some of the most important themes of contemporary art: the connection between art, business and everyday life; environmental issues; and the rise of photography as a vibrant and relevant art form.
To find out more about IAIN BAXTER& you can view his online catalogue raisonné. The IAINBAXTER&raisonnE 'creatively repurposes the conventions of print catalogues raisonnés to support the development of an experimental scholarly communications platform and collaborative e-research zone.'
Generously supported by
Leslie Gales & Keith Ray
The Steven & Michael Latner Families
Philip B. Lind & Ellen Roland
Carol & Morton Rapp