Hito Steyerl is often heralded as creating art for our times. She blends the personal with the political and irony with seriousness as she investigates how images are created, packaged and consumed in the digital age. The New York Times describes her work as “…politics served up with appealing, accessible pop-culture aesthetics, sardonic humor and the odd four-letter word. Visitors might leave pondering exploitation, dancing to a disco tune from the soundtrack, or both.”