Talks

Close Looking: The Jack Pollock fonds

Four black and white photographs on a black background, each featuring various figures, male and female

Selected photographs from the Jack Pollock fonds, SC165. Gift of Barbara Ann Barrett, 2021. Individual photo credits, clockwise from bottom left: Peter of Holland Photographers, unknown, Lois Steen, unknown.

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Talks

Close Looking: The Jack Pollock fonds

Monday, December 5, 11 am
Facebook Live
Close Looking: The Jack Pollock Fonds

Close looking is an online discussion series that invites people to spend time with a single work from the AGO Collection - observing its details, discussing its creation, its history and the artist’s intention through multiple senses and perspectives. Connecting art, access and learning, it’s a series that clears a space for us to appreciate the role that artists play in revealing and even shaping the world in which we live.

Join Amy Furness, Rosamond Ivey Special Collections Archivist and Head, Library & Archives, as she explores the archival legacy of Jack Pollock, a pioneering art dealer and artist who left an indelible mark on the Toronto art world of the 1960s through the 1980s. Perhaps best known for championing the artist Norval Morrisseau, Pollock was also an artist in his own right, and a memorable writer. Hear more about his life and work as revealed through his personal archive, which joined the collections of the Edward P. Taylor Library & Archives in 2021.

For requests for Verbal Description, American Sign Language (ASL) interpretation and/or live captioning for online and onsite programming, please provide three weeks notice in advance of the event date. The AGO will make every effort to provide accommodation for requests made with less than three weeks notice. Please note that automated captioning is available for all online programs. For onsite visits, the AGO offers these supports for an accessible visit. Please contact us to make a request for these or other accessibility accommodations. Learn more about accessibility at the AGO.
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