Tangled Art Talks: Aislinn Thomas

Image split into two: On the left a photo of two hands outside the frame reaching to touch a sculpture by Persimmon Blackbridge. The piece is titled “Soft Touch”, and is a handcrafted figure made of wood, bone and plastic to resemble a person constructed from found objects. It is mounted on a wood panel. On the left black and white photograph figure standing at a microphone with sunglasses on and hands gesturing outwards

Sara Wilde Photography. Courtesy of Bodies in Translation Activist Art, Technology & Access to Life. ReVision The Centre for Art & Social Justice at the University of Guelph.

Headshot Image courtesy of Aislinn Thomas


@ 11:00 am - 11:30 am

This is a free event

Tangled Art Talks: Aislinn Thomas

Friday, April 16, 11 AM
Facebook Live

Spurred by calls for disability justice and the desire for a more equitable and intersectional future, the disability arts movement is pushing forward with renewed political intention to disrupt conventional understandings of the arts.

Tangled Art + Disability and the AGO have formed a new partnership to showcase the possibilities of a world that honours access, disability and difference. We are excited to present videos by six artists from Tangled’s community that showcase their artistic practices in response to artwork in the AGO Collection.

Aislinn Thomas (she / they) is an interdisciplinary artist whose practice includes video, performance, sculpture, installation, and text. She culls material from everyday experiences and relationships, creating work that ranges from poignant to absurd–at times straddling both. Many of Aislinn’s recent projects respond to access and disability. She works alongside and in the legacy of so many who out of necessity treat both as spaces for creative acts.

Recent and upcoming exhibitions include the WRO Media Arts Biennial (Wroclaw, Poland), Flux Factory (Queens, NY), Science Gallery Lab (Detroit, MI), University of Glasgow (Glasgow, UK), Tangled Art + Disability (Toronto, ON), The New Gallery (Calgary, AB), Robert McLaughlin Gallery (Oshawa, ON), Mount Saint Vincent University Art Gallery (Halifax, NS), articule (Montreal, QC), and C Magazine. Commissioned projects include A piece of cloth, held taut curated by Crystal Mowry for the Kitchener-Waterloo Art Gallery; and A distinct aggregation / A dynamic equivalent / A generous ethic of invention curated by Jacqueline Bell for the Walter Phillips Gallery at the Banff Centre for Arts and Creativity.

Aislinn is a white, disabled, cis-gender settler of Ashkenazic and British/Scottish/Welsh descent. She is grateful to live and work in Unama’ki, part of Mi’kma’ki, the ancestral and unceded territory of the Lnu’k covered by the Peace and Friendship treaties.


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