Matthew Wong_Blue Night

Matthew Wong, A Dream, 2019. Oil on canvas, 177.8 x 203.2 cm. © 2019 Matthew Wong Foundation. Image courtesy of Karma, New York.

ONLINE PAINTING EXPLORATIONS: INSPIRED BY MATTHEW WONG'S LANDSCAPES

We’ll be inspired by the imaginary nocturnal landscape paintings of Matthew Wong, as featured in the first-ever museum exhibition of this Toronto-born Chinese-Canadian artist, entitled Matthew Wong: Blue View. In this online course, we’ll discuss Wong’s unique style and approach, and we'll use experimental painting techniques in the reinterpretation of landscape paintings in the AGO Collection (and even from your own landscape/urban photography). Explore painting elements such as gesture, composition and colour and experiment with a range of materials.

Each week, we will introduce a new layer to students works in progress. Every session is about layering and every layer is a painting unto itself. Wong often worked with gouache, a material known for its unique opacity, versatility and depth. We will also be working with gouache, as well as acrylic and other materials like ink, magic markers and common household items to create rich, deep wonderscapes. 

Terms and Conditions of Participation in Online Courses.

Please review the Terms & Conditions for course experience optimization. 

Participants must be 18 or older. 

 

Members Price
$220.00
Public Price
$260.00

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COURSE SECTIONS

Sundays, - | 1:00 pm - 4:00 pm (4 weeks)

WEEKLY OUTLINE 

Week 1: Discuss and examine the magical surfaces that Wong develops.  We will discuss his relationship with space, time and materials. We will begin laying the groundwork for multiple compositions.  

 Week 2: Explore opacity, translucency and laying of textures as we experiment with the different properties of materials and how they affect one another. 

 Week 3: Introducing new imagery. By now, we have gone through a series of processes and we are able to apply those techniques to personal images. We will continue layering our paintings through the introduction of detail work, texture and pattern and repetition. 

 Week 4: Pulling it all together. Continued work on the paintings from all the classes. Discuss and apply various ideas for final interventions based on our collective discoveries.

STUDENT MATERIAL LIST

  • A pencil and eraser for planning and sketching
  • A pad of 140lb cold press watercolour paper approximately 18 x 24 inches. ALTERNATIVELY, minimum 4 sheets of cold press 140lb watercolour paper ideally 18 x 24 inches but you can cut larger sheets down to size.
  • 1 inch Hake brush (or hardware store brush)
  • 2 inch Hake brush (or hardware store brush)
  • Any brand of gouache paint tube set, 12 colour approximately 12ml 
  • 2 or more assorted brush sizes and shapes: small (1/4 cm-1/2 cm) and medium (3/4 cm-1cm), round and flat tips
  • 1 tube of black gouache 20-40ml
  • 1 tube of any colour blue gouache 20-40m (blue will be a dominant colour in our experiments. look for strong hues such as ultramarine, cobalt and prussian)
  • Blue painter’s tape 1” or bigger (any strong tape can be used, however blue painter’s tape is formulated to peel off easier than regular masking tape)
  • Black and blue ballpoint pens (inexpensive - they will be taken apart, old pens, hotel pens, etc.)
  • Rubbing alcohol, 100ml or so will work (any percentage)
  • Cotton swabs
  • Palette: (white is ideal) plates, trays or shallow containers, foam or plastic plates, aluminum pie pans 
  • Paper towels or cotton rag
  • Smock or apron 
  • Vinyl or rubber gloves
  • Kitchen, regular sponge
  • Water container: 450ml – 750ml vessel, anything you will not use for drinking

These are the recommended materials for this course. All sizes are approximate. On your first day of class, your instructor may recommend additional optional materials. Our Instructor’s will do their best to accommodate alternative materials whenever possible. 

 

Instructor:

COURSE POLICIES AND FAQ

Art Education Policies - courses

Policies

Please read the following policies when you prepare your registration to AGO Education courses and camps.

  • Registration is on a first-come-first-served basis and is limited to space restrictions.
  • Advance registration is recommended for all programs.
  • Registration is confirmed only upon receipt of payment.
  • All registration is subject to availability.
  • All programs, prices and instructors are subject to change without notice.
  • The AGO has the right to remove students from classes. (remove if they are disruptive).

Withdrawals and Refunds

Courses

  • Refunds are available in full 5 days before the start of the first class, minus a $15 administration fee.
  • For all courses a withdrawal is allowed before the start of the second class, minus a $50 administration fee.
  • Withdrawals after the start of the second class are non-refundable.
  • One day workshops are non-refundable. 
  • Absence does not constitute a withdrawal.
  • Courses are not transferable.
  • Withdrawal requests must be done by email through the Contact Centre at contactus@ago.ca.

Cancellation of Classes

  • To ensure that we are able to run your preferred classes, we recommend that you enroll at least two weeks prior to the commencement of the program.
  • In the event of course cancellation, registrants will be notified 3 days prior to the scheduled commencement of the course and a full refund will be given.

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The AGO is committed to providing a welcoming and accessible destination and workplace. We embrace the principles of dignity, independence, integration and equal opportunity to serve our visitors, staff and volunteers, and our community at large.

Read about our Commitment to Accessibility, our Customer Service Policies for visitors with disabilities, and our Multi-Year Accessibility Plan.

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